Art → Yumiko Takei 武井ゆみこ
- 昨年は大きめの看板制作させていただいので、今年はアーティストとしてペイントイベントに参加することになった。
- 廃材をつかった建物で楽しむ自然に優しいコンセプトをもったイベントなので、木から人へとつながるイメージのデザイン・絵にしました。
1. How did you come to create the mural by the skate ramp at Niseko Hirafu Green Park, and how did the location influence your design?
- Last year, I had the opportunity to create a larger signboard, which inspired me to participate in this year's painting event as an artist. The event emphasizes a nature-friendly concept, with people gathering in a building constructed from reclaimed wood. This connection to nature influenced my design, so I created an image symbolizing the relationship between trees and people, reflecting the harmony between the environment and the community.
2. 子どもたちや観客を制作プロセスにどのように取り込みましたか？
- 土台となる木の幹は板の木目を生かし背景は色がわかりやすいくなるように白くしました。ペイント参加者には一本の木をみんなで育てるような作品にできたらとカラフルな色を揃えて参加してもらった。
2. How did you incorporate children and the audience into the production process?
- I began by painting the tree trunk white to highlight the grain of the wood and make the background more vibrant, allowing the colors to stand out. I invited the participants, including the children, to contribute with a wide range of bright colors, encouraging them to paint freely. My vision was to create the feeling that we were all growing a tree together, making it a collaborative and dynamic experience.
3. 作品の題材は、あなたにとって、またあなたの芸術的レポーティアにとって、どのような意味を持ちましたか？
- 大きな壁面と他人と作り上げる画面は自分とってとても興味深く、一人では考えられない数々の形や色で構成された作品になり、自分自身も刺激をうけました。
3. What did the subject matter of your work mean to you and your artistic expression?
- The large wall surfaces and the collaborative screens we worked on fascinated me. They pushed me to explore new ideas, inspiring a composition of vibrant shapes and colors that I could never have envisioned on my own. This collaboration allowed me to expand my creative boundaries, reflecting the dynamic, collective energy that shaped the final piece.
4. 壁画を見た人に、特にその場所の背景において、どのようなメッセージや感情を伝えたいですか？
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色々な人によって描かれた画面なので、見る人にも発見と面白さのある絵になっていると思います。描かれた作品から楽しい気持ちを感じてグリーンパークという楽しい場所で心地よく過ごしてもらいたい。
4. What message or emotion do you want to convey to the viewers of the mural, especially in the context of the place?
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Since the mural was painted by a variety of people, I believe it offers a sense of discovery and intrigue for the viewers. My hope is that people feel a sense of joy and playfulness when they look at the artwork, while also feeling at ease in Green Park, a space that naturally invites comfort and enjoyment.
5. 壁画制作中、子どもたちや観客との印象的な瞬間や交流があれば教えてください。
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海外の方も多く通るところなので、片言の英語でも絵を見ながら会話することができた。描いている時の楽しい気持ちが子供達と共有しできていることも実感できた。
5. What were some of the most memorable moments or interactions you had with the children and the audience during the mural painting?
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One of the most memorable aspects was interacting with people from around the world who passed through the area. Even though I only speak a little English, we were able to connect and share our thoughts while looking at the paintings. It was also heartwarming to see the children experience the same joy I felt while painting, creating a shared sense of happiness that transcended language.
6. パブリックアートは、特にニセコひらふグリーンパークのような空間において、地域社会にどのような影響を与えることができると思いますか？
- 見晴らしのよいひらふ地区で、人が感じる色や形を表現すること、絵にするは、その土地の魅力をより感じることにもつながると思う。
6. What impact do you think public art can have on the local community, especially in a space like Niseko Hirafu Green Park?
- I believe that by capturing and expressing the colors and shapes that reflect the feelings people experience in the Hirafu area, with its stunning views, public art can deepen people's connection to the space. It has the power to draw more attention to the beauty of the area, enhancing its appeal and creating a sense of shared appreciation within the community.
- 自由に描きいれてもらうこともテーマの一つだったので、思ってもいない色や形に遭遇することは想定されていました。描きいれてもらった後に全体の密度や色のバランスをとることが、わたし自身のアートにもつつながると思って後々手をいれて完成させました。
7. What challenges did you face in balancing your artistic vision with the collaborative input from the children and the audience?
- One of the main goals of the project was to allow the children to draw freely, so I knew there would be unexpected colors and shapes along the way. The challenge was finding a balance between preserving their spontaneous creativity and shaping the final piece into a cohesive artwork. After they had contributed, I made adjustments to harmonize the overall density and color, ensuring it still reflected my artistic vision while honoring their contributions.
8. 壁画が完成した後、空間の使われ方やコミュニティーの捉え方に何か変化はありましたか？
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入口付近の通り道であり、スケートボードする人々の場所でもあったのでにぎやかな絵があることで、より一目をひくことができたと思います。
8. After the mural was completed, did you notice any changes in the way the space was used or how the community perceived it?
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I noticed that the vibrant mural made the area more inviting and eye-catching, particularly since it’s located near the entrance and serves as a pathway for skateboarders. This lively addition seems to have encouraged more people to gather and enjoy the space, enhancing the overall atmosphere and engagement within the community.
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大きな画面の中に、自分の描きたいものをイメージして描くことは自分との対話にもなり、見る人に何かを伝えられることにもなるので、自分らしさを表現する大切さをこれからも続けてほしい。
9. What do you want the participating children to take away from this experience?
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I hope the children will recognize the importance of expressing their unique personalities. Drawing on a large canvas allows them to engage in a dialogue with themselves and convey their thoughts and feelings to the viewer. I want them to leave with a sense of confidence in their creativity and the understanding that their voices matter in the world of art.
10. 特に壁画が屋外にあり、一般の人々との交流があることを考慮して、使用した材料や技法についてお話いただけますか？
- 野外なので雨や紫外線に耐えられる、匂いなどが強くない画材を選びました。又、色の発色のよいものを選び、塗りやすい濃度に絵の具を溶くことで、野外画面への描きこみが短時間でやり易くなるよう工夫しました。
10. Can you talk about the materials and techniques you used, especially considering that the mural is outdoors and interacts with the public?
- I selected painting materials designed to withstand rain and UV rays, ensuring durability in an outdoor setting. Additionally, I opted for low-odor products to accommodate the public space. To achieve vibrant color reproduction, I carefully adjusted the paint's consistency, making it easy to apply. This allowed us to complete the mural efficiently while maintaining high quality, ensuring that it would be visually striking and resilient in the elements.
Artist Profile アーティスト・プロフィール
東京生まれ、北海道在住の日本画家。文星芸術大学大学院芸術研究科を修了し、鳥の描写を中心に独特のスタイルを確立。
その優美なフォルム、鮮やかな色彩、メロディアスな声、表情豊かな顔に魅了された由美子は、鉛筆、伝統的な日本画、木、素焼きの陶器など、さまざまな媒体を通して鳥の本質を捉えている。どの作品も、鳥たちの自然の美しさと繊細なニュアンスへのオマージュであり、見る人の日常に静寂と内省のひとときを与えてくれる。
数々の公募展に出品し、その芸術的功績が認められている。第12回福知山市佐藤太清賞展入選、第2回文星芸術大学卒業制作展奨励賞、第55回栃木県芸術祭日本画部門入選、第59回栃木県芸術祭日本画部門奨励賞など。
彼女の作品を通して鳥の美しさに触れ、見る人に安らぎと楽しみのひとときを感じてほしいと願っている🍀。
Born in Tokyo and residing in Hokkaido, Yumiko Takei is an accomplished artist specializing in Japanese painting. A graduate of the Graduate School of Arts at Bunsei University of Art and Design, she has developed a distinctive style revolving around birds.
Fascinated by their graceful forms, vibrant colors, musical voices, and expressive faces, Yumiko captures the essence of birds through various mediums, including pencil, traditional Japanese painting, wood, and unglazed pottery. Each piece is a tribute to the natural beauty and delicate nuances of these creatures, offering a moment of tranquility and reflection in the viewer’s daily life.
Yumiko has been recognized for her artistic achievements through participation in numerous public exhibitions. Notable accolades include an Honorable Mention at the 12th Fukuchiyama City Taisei Sato Prize Exhibition, an Encouragement Prize at the 2nd Bunsei University of Arts Graduation Exhibition, an Honorable Mention in the Japanese Painting Division at the 55th Tochigi Prefecture Art Festival, and another Encouragement Prize in the Japanese Painting Division at the 59th Tochigi Prefecture Art Festival.
She hopes that viewers will find a moment of peace and enjoyment in her work as they explore the beauty of birds through her art🍀.